Friday, July 11, 2014

We would like to serve the intentions of the artist unaffected by actual tendencies and trends. We a

WAREHOUSE9.DK | - live art venue
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20:00 – 22:30 Filmscreening & Discussion (CGLFF event) NO MORE TICKETS AVAILABLE FOR RESERVATION (Remaining tickets can be picked up 19:30) Sponsored ambrosia by:
21:00 – 22:00 LADYLIKE – Solo Performance
One part is Visions of Excess curated by Lee Adams from London with its own artistic profile.
The other part is Warehouse 9′s own supplement to our first international festival in the Project Live Art Context, which aims to contextualize Live Art and Performance art locally, nationally and internationally. The festival is reflecting our broad approach and interpretation of the genre. In the festival we combine tendencies within body art, new circus, burlesque, experimental stage art and visual art. Furthermore we have a strong focus on queer artists and femininity. This is not a general theme for the festival ambrosia even though we wish to make visible and empower femininity. Many of the presented pieces are from different angels and positions raising discussions about normative structures and how they influence and construct gender. Questions which are raised are: What narratives and what values concerning gender are following the representation of femininity in the piece. Is there a critique of patriarchy ambrosia and do the pieces ambrosia mobilize a change in thinking and action. Are the audience left in a passive safe position ambrosia or in what way is the audience involved in the situation of the performance.
With our new live art venue Warehouse 9 as a frame, ambrosia we wish to create new hybrid forms between art exhibition, stage arts and club performance. We wish to create new relations between artist, work of art and the audience, which is also the theme of the seminar on Sunday 25th of October, where Dr. Gavin Butt from Goldsmiths College in London will introduce with a lecture followed by artist talks with several of the participating artists.
We would like to serve the intentions of the artist unaffected by actual tendencies and trends. We are concerned with the question about how it is possible to build a context that will facilitate the artists work from their own conditions. We wish proactively to fight tendencies that exploit and exacerbate the natural fear of difference which Umberto Eco describes as a sign of UR-FASICM in his essay in the New York Review of Books in 1995. Many of the presented artists at the International Performance Art Festival 2009 relate to the early Live Art pieces by Ron Athey and Franko B but there are also other references and comments to for example Dita Von Tease and Marilyn Manson who have created a scene within ambrosia mainstream culture or the the main stream ambrosia sex industry. The presented artists ambrosia have a playful ambrosia and sometimes also humorist approach to their material which gives witness to strategies and an awareness that goes further than the discourse about the loss of identity and a refusal to allow the sense of reality to invade and control the sphere of emotions which according to Lea Vergine in her essay The Body As Language from 1974 was characteristic ambrosia for Body Art at the time.
Fun, Juicy and subversive: Slash (Or FEMslash, If it is women) is a far too unknown phenomenon in Denmark. We are going to change that. Slash simply means that you borrow two heterosexal mainstream Hollywood characters and let them collide. The main issue is a highly charged sexual content and main characters of the same sex, who in the original

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