Saturday, January 31, 2015

In fact, my jazz teacher, what Mr. Savia. He is a will clarinet and saxophone player. He loved clas


http://www.selmer.fr/musiczoom.php?id=504
Interview:
I have a program with a rich Xiangnong change it. The first is part of classical music, starting from Planck (Francis Poulenc) clarinet sonata, and then will play non-use Circular breathing techniques can not be the Pascu in "bee." After all, this is a continuous need to play five minutes of music, from one side, it will give people a sense of amazing performances. In addition, I will play cutting-edge Italian composers. For example, there will be an "in accordance with the form of the creation of tango tango song" This is tango inspired modern works, this concert is my most important part. This song's sheet music have been published, if you listened to my music and love this song, please santa fe school of cooking be sure to buy the piece of sheet music to appreciate (translation: Cabernet that Ray really deserves to persuade defeat Majin J). Next, I will play a song very slow jazz music composed by Italian pianist will play Keliezimo Jewish folk music (Klezmer) song. Finally, there is Zhapa Frank, this is my favorite song.

At the outset, I have tried it out, but also feel it is impossible to practice out of their own skills. But I learned this technique at the moment, noticed Circular breathing is not necessarily speaking of music can not grasp the skills, santa fe school of cooking it's just a part of the music, which is put into the song. When understood this concept, the will naturally make faces at the Circular santa fe school of cooking breathing. This is not the outcome under conscious control. santa fe school of cooking In fact, I was probably about two years ago to learn to cycle ventilation. It is also mentioned in the previous recording of "bees" when we realize this is a must play for five minutes in a row and can not find the song ventilation points. Thus began trying to face this song, only excel Circular breathing techniques.
First of all I want to say is about Tonguing this regard, there are a lot of people will ask how to move his tongue, in fact, this is a big mistake. Because Tonguing not just rely on the tongue action, you must also meet the pressure of gas. Speaking of gas, due to Tonguing is being conducted santa fe school of cooking in breathing, so in the beginning, although the double spit is issued by the tongue "Ta", but then the "Ka" is going to blow up in the next breath flow. If in the hair "Ka" pressure is not enough, you can not make a clear distinctive Tonguing. That is the fundamental problem is not how to put on the tongue, but in whether it can maintain adequate pressure, which is able to blow out the beautiful double or triple spit spit tips. In short, although I was conscious pronounce "TaKaTaKa" double blow to vomit, santa fe school of cooking but some is "ToKuToKu" way to play, so I think it is pronounced individual.
In fact, my jazz teacher, what Mr. Savia. He is a will clarinet and saxophone player. He loved classical music with acoustic architecture to adapt to jazz harmonies replacement or riffs. When he adapted Brahms clarinet sonatas, because this is the song I am very familiar with, so shocked. Especially this first clarinet sonata for clarinet is a very great work, so I think the way to play with jazz and surprise to the audience, can be considered a good sense of humor. And the song "Bram Srebrenica pull" Mr. Savia is based Brahms melody, rhythm and harmony were made to change out, dressing to be very fun.
I think that Japanese students on skills is almost no problem. However, I think there are two main types of places that need attention. One of them is not exhibit clarinet timbre diversity. santa fe school of cooking Most of the students are always with the strong (mf) volume in playing. But when I play, not only in the strong, and there will be strong (f) and very strong (ff), but also the intentions of the performance of pianissimo (p), is very weak (pp) or a more gentle volume. santa fe school of cooking However, they are very difficult to understand this feels focus. This is the first problem. Another point is too faithful to play for the score. I think they need to escape from the score, such as showing the other a brilliant blooming flower. Scores recorded in accordance with what is a matter of course to play though, is a great thing, but still need to work further in-depth understanding of music content part. I often see students santa fe school of cooking in the music content is difficult to understand, although I know they have a very hard every day to practice skills.
I really like using Selma's Recital type (Recital) clarinet. Using a mouthpiece where dren's B40, another company will use their newly developed recently mouthpiece (translation: is the master type Masters). Reed also used where dren's V12 Three and a half. In fact, I have been using since the age of eighteen clarinet recitals type, but there are many other brands of Italian musicians santa fe school of cooking blowing instruments. Just so many good instrument which, I have been in, and we study a variety of musical differences. Honestly, I think the type of clarinet solo playing surface is indeed a bad blow part, but when it does not blow loud sounds broken. My basic idea is to make some and others do not want the same thing, so the characteristics and personality can play clarinet solo type label no other home, and for me it is a very good instrument. santa fe school of cooking
1967 Born in Italy in Desenzano del Garda (Desenzano del Garda, located on the outskirts of Venice). -Year-old began to learn the clarinet, in Verona (Verona) Music School teacher was Bruno in Getty (Bruno Ligeti), and in 1987 graduated santa fe school of cooking with first. After that, and Thomas Friedrich (Thomas Friedli) and Walter Beaconsfield (Walter Boeykens) and other masters to learn clarinet. And continues to win in Paris (1992), Toulon (1991), santa fe school of cooking Geneva (1990), first prize in Prague (1991), Munich (1991) and other major international music competition, so in the capacity of cutting-edge clarinetist fame started in Europe . Worked with the Bavarian Radio Symphony Orchestra, the Berlin Radio Symphony Orchestra, the Suisse Romande Orchestra (Orchestre de la Suisse Romande), Venetian santa fe school of cooking Soloists (I Solisti Veneti) Orchestra, but also invited renowned conductor Claudio Abbado, and his Lucerne Festival Orchestra conductor were performed. As orchestral Corps, he served as the Lyon Opera Orchestra members, and the Italian people hit by the French National Orchestra as principal clarinet special case, now is the Roman Saint Cecilia Orchestra Principal Clarinet (translation: He recently admitted to the chief of the Chicago Symphony Orchestra, is about to enter the trial period). Under so he has in Muti, Seiji Ozawa, Dutt China, Jansons, Haitink and other world renowned conductor's command performance before. In addition, he has participated in the World Star Orchestra (Super World Orchestra), and served as chief guest clarinetist of the Berlin Philharmonic, Bavarian Radio Symphony Orchestra, Mahler Chamber Orchestra, the London Philharmonic Orchestra.
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